Long Transient Feeling
Solo Exhibition by Lauren Edmonds Aug 12 – 23 2025 | Project Gallery Long Transient Feeling is an exhibition by Lauren Edmonds winner, of Flying Arts’ 2024 QRAA Environmental Art Award. The exhibition of new media installations, animations, and 2D works uses the motif of a train as a visual metaphor for collective unease in […]
Dark Forebodings [2025]
Dark Forebodings (2025) Video Installation: 7:50 min animated video, projector, button panel, headphones Dark Forebodings (2024) is an interactive video installation featuring animations inspired by Pink Floyd’s The Dark Side of the Moon tracks “Speak to Me,” “Brain Damage,” and “Eclipse.” The animations blend traditional frame-by-frame animation with contemporary 3D modelling and motion graphics through […]
Sit Tight [2025]
Sit Tight (2025) Lauren Edmonds, wall-based sculpture installation corregated panel, foam, fabricdimensions variable [each chair 46.5 x 42 x 47cm] Hand-built constructs that mimic train seats are installed at precarious heights and angles on the gallery wall, rendering them impractical for use. Made from a corrugated door panel, MDF, foam, and custom-printed fabric, the chairs […]
Holding On [2025]
Holding On (2025) Lauren Edmonds, Multimedia installation yellow painted foam & PVC ‘rails’, stainless steel & PVC fittings, wire, transit handles, TV, video Perhaps the most experimental work in the exhibition (Long Transient Feeling), Holding On consists of twisted and bent yellow ‘handrails’ made from foam and PVC tubing. From a few railings, grey transit […]
Next Stop… [2025]
Next Stop…(2025) Lauren Edmonds, new media installation TV, scrolling sign, Raspberry Pi, Projector, curtain rod & curtains Blurring the line between public and private, domestic and transit, Next Stop… is a wall-based installation that brings together projection, animation, and familiar aesthetics of train and home windows. Looping animations play in sync across a TV screen and […]
Double Take [2025]
Double Take (2025) Lauren Edmonds Diptych mixed media & acrylic paint on masonite panelseach panel 90 x 60 x 5cm Melancholic and reflective, Double Take is a mixed media self-portrait presented as a diptych, drawn and painted on masonite panels. The panels are shaped and arranged to evoke a train window, with curved outer […]
Mock Moquette Fabric Design
Mock Moquette Fabric The printed pattern seen on the fabric used on the chair constructs in Sit Tight (2025) and the curtains in Next Stop… (2025) has been custom designed by Edmonds – with parts of the design influenced by the use of AI. The strange shapes that echo emojis or logos were generated with […]
Time for Walkies [2025]
Time for Walkies (2025) Lauren Edmonds Acrylic paint & wax pencil on canvas, 91 x 61 x 3.8cm In Time for walkies, Lauren Edmonds presents a self-portrait that merges whimsy with quiet unease. Painted in acrylic on canvas, the work depicts the artist posed in a doorway, holding a plush frog toy on a […]
In Tune [2024]
In Tune (2024) In Tune is a site-specific composition combining two of three animations that Edmonds directed, animated, and composed for The Dark Side of The Moon 50th Anniversary Animated Music Video Competition (2023). The animations were created using animation techniques, both 2D and 3D. Many elements are drawn frame by frame including the rotoscoping of […]
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Re[collect] Exhibition Catalogue
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QCAD Galleries, Griffith University, South Bank Cholena Drew Hughes | Lauren Edmonds | Domenica Hoare | Marta Larzabal | Ally McKay | Tess Mehonoshen | Lucy Rebekah | Jo Rees-Jones | Maikki Toivanen The See Saw Collective is a group of artists who graduated from Griffith University around 10 years ago. They have retained a […]
Dark Forebodings [2024]
Dark Forebodings (2024) Video Installation: 7:50 min animated video, TV, button panel, headphones Moreton Bay-based multimedia artist Lauren Edmonds creates work that encourages reflection on our contemporary life. Dark Forebodings (2024) is an interactive video installation featuring animations inspired by Pink Floyd’s The Dark Side of the Moon tracks “Speak to Me,” “Brain Damage,” and […]
Experimenta Make Sense
I dun good (2015) tablet, app, stylus pen, recycled cardboard, self-inking stamp, string, wood 115 x 77 x 30cm Experimenta Make Sense: International Triennial of Media Art I dun good (2015) was selected by curator Lubi Thomas to be included in Experimenta Make Sense: International Triennial of Media Art. The exhibition included a national tour around […]
For Tomorrow [2024]
For Tomorrow (2024) For Tommorrow (2024) acrylic paint on masonite panels, pine Inspired by attending climate protests and Australia’s climate disasters of the last few years – this diptych confronts the dire consequences of climate inaction for our younger generations. The painted images take direct reference to a photograph taken at a climate protest in […]
Rising Crises [2024]
Rising Crises (2024) Moreton Bay based multimedia artist Lauren Edmonds creates work as social commentary encouraging conversation and contemplation regarding everyday experience. Their new work, Rising Crises (2024), is born from a larger hand-drawn animated project titled Dark Forebodings (2023-24). Rising Crises (2024) is a 2D graphically illustrated animation depicting slow-moving panels of blue, an empty bottle, a TV, a […]
Bird Play [2024]
Bird Play (2024) footpath vinyl artwork, public art commission by City of Moreton Bay Council Art at Large City of Moreton Bay Public Art Commission Bird Play (2024)vinyl footpath artworkPine Rivers Park, Strathpine I’ve drawn inspiration from the local birdlife, focusing on a particularly playful species − the rainbow lorikeet. My interest in birds and […]